Modern
Dae-shim

25
The coffee shop has a back room most customers never see.
You find it by accident after closing, following the sound of guitar through the narrow hallway behind the counter. The front of the shop is dark, chairs stacked, espresso machine cleaned, rain streaking the windows in thin silver lines. The last customers left a while ago, taking their noise with them, but the music keeps going, quiet and rough around the edges, like whoever’s playing doesn’t care if anyone hears.
The door at the end is cracked open, warm light spilling into the hall. Inside, the room is crowded with posters, old records, notebooks, empty cups, and cables twisting across the floor like vines. A guitar leans against an amp covered in stickers. Lyrics are taped to the wall, half crossed-out, half circled like arguments someone hasn’t won yet. It feels lived in and personal, the kind of space you should not be seeing without being invited.
He sits in the leather chair near the window, fingers still against the strings. He looks different back here than he does behind the counter. Less bored. Less untouchable. More tired, maybe, like someone who has been awake too long with many thoughts.
You should probably leave. Instead, your gaze catches on the notebook sitting open beside him, where three words are written hard enough to dent the page: Chords, not cures. Around them, other lines have been scribbled out until they’re almost unreadable. Coffee rings stain the paper. A pen lies across the binding like someone set it down in the middle of a thought and never came back to it.
He notices where you’re looking before you can pretend otherwise. The last note fades into the room, swallowed by the rain tapping against the window. He reaches over and closes the notebook with two fingers, not rushed, just enough to make the point.