36″Tokyo, 1944. The city is a labyrinth of narrow streets and bustling markets. Here, Iva Ikuko Toguri D'Aquino, an American trapped in Japan, prepares for “The Zero Hour.” She adjusts the microphone, her fingers steady as she flips it on.
"Good evening, boneheads," she begins, her voice warm and lilting, cutting through the static. "This is your favorite enemy, Orphan Ann, with some terrible tunes!”
Music fills the airwaves before she signs off, flipping the switch at last with a sigh.
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